Wednesday, June 2, 2010

Random Longbox Year Two

So here we stand, at the onset of Year Two with the Random Longbox, and things look pretty much the same as before.

Have no fear, however, as we'll be adding a few new bells and whistles, and maybe a redesign or two coming your way soon. I had all intents and purposes of getting everything done for the big birthday celebration, but that just didn't happen. Between my sales territory at work expanding (hello Ohio and Kentucky!) and the art fair circuit starting up that my wife is involved in, my free time is at a premium.

Speaking of the wife, it's been a while since I gave her a shout out around these parts. Click over here to get your fine art photography fix (with an eclectic, off-beat charm all it's own). If you find yourself out and about in Michigan this summer, click over here for a list of shows she'll be exhibiting at.

Thanks for taking the time to look her up, as it is her patience and understanding that goes a good way towards making the Random Longbox a success. And speaking of the Random Longbox, let's see what the next random book to review is. Take it away, Randomizer...

...and that book is Leave It To Chance #11 from September 1998, published by Image Comics!

It's the return of James Robinson to the spotlight, with a book that I enjoyed the heck out of in it's day. Robinson has been back in comics for a couple of years now, but nothing he's produced lately matches the originality or passion of the stuff that he was doing in the 90's. He's one of those rare creators who was able to make something entertaining that has stood the test of time from that decade.

Leave It To Chance was one of his stronger efforts, made all the more enjoyable as it was written for an all ages audience. It's also one of the few books that succeeds at it. If you're unfamiliar with the title, it's sort of Harry Potter meets Scooby-Doo.

Now that I think about it, that's a horrible analogy. I sure wouldn't want to read a book like that, but on this title it worked. It's just too bad that we only ever got 13 issues before Robinson left the comic book world for Hollywood.

This book also features the stunning artwork of Paul Smith! The two had worked together previously on The Golden Age for DC, but this title was the pairing where they really got the chance to shine.

Needless to say, I'm looking forward to reading this one again. Join me in a day or two for the review.

Tuesday, June 1, 2010

Random Longbox OYL

So tomorrow marks the one year anniversary of the Random Longbox, and my bold new experiment into finding an interesting way to put my longboxes to good use.

Now I can't speak for all of you out there in Internet-land, but I've been having fun. I can only assume that I've provided some modicum of entertainment over the last twelve months, and I want to thank you all for taking the time out of your day, week, or month to stop and pay my little site a visit.

As much as I enjoy being forced to read whatever random book gets pulled from my longboxes, it's the interaction with you, the readers, that make doing this blog enjoyable day-in and day-out. So thanks again, and while we have another 24 hours or so before we start Year Two here at the Random Longbox, let's take a look at the year that was.

We reviewed a total of 69 books, while a bit off of my preferred pace of two reviews a week, is still pretty respectable. With everything coming full circle, we started and ended the year with Jim Lee.

Superman has been the star so far, with nine picks featuring The Man of Steel. Included in his posts are two of my favorite reviews here and here.

Marvel's Mutants gave it the old college try, but could only tie Superman's record by combining all of their appearances together. Still, there was some good stuff there. The same goes for The Avengers, who really upped the ante in the last two months with three of the last five picks. If you're looking for a favorite out of that lot, it's got to be this one where Hawkeye looks for a new job after being forced from the Avengers.

If you asked me what book I had the most fun reading, hands down it would have to be this one. Let's all crack open a brewski and read it together with Moon Knight.

Some predictions for the next year?

A Peter David issue or two of The Incredible Hulk? Here's hoping.

Will Brian Bendis finally get a little Random Longbox love? It's possible.

Doom Patrol, Doom Patrol...wherefore art thou?

Thor? Iron Man?

The possibilities are plentiful, so join me tomorrow as we embark on year two!

Sunday, May 30, 2010

X-Men (Vol. 2) #1


TITLE: X-Men (Vol. 2) #1

PUBLISHER: Marvel Comics

COVER DATE: October 1991

COVER PRICE: $1.50

37 pages


WHAT I REMEMBER...

I didn't think so at the time, but looking back, this issue can plainly be seen as the downfall of my voracious interest in all things X. It would be years before I would give up on Marvel's mutants all-together, but from this point on there would be only brief snippets of genius intermingled with monthly mediocrity.

I still can recall vividly buying this issue (and all of the different covers) from my comic book store. I also remember laying all the covers out on my floor, to make one big panorama. This was when Jim Lee was king, and at this point he could do no wrong in my book.

Oddly enough, most of my memories of this book deal with my emotional reaction and ties to the issue, and not to the quality of the actual story itself. I don't really have a sense of the story, only that Magneto returns. Although, now that I think about it, this must be where Magneto's Alcolytes are introduced as well. I really didn't care for these jokers as villains or antagonists, so if this is dealing with them in detail, color me bored already.

Still, we'll give it the old college try and see how this issue holds up after close to two decades.

Rubicon
  • Writer: Chris Claremont
  • Co-Plotters: Chris Claremont, Jim Lee
  • Penciler: Jim Lee
  • Inker: Scott Williams
  • Letterer: Tom Orzechowski
  • Colorist: Joe Rosas
  • Assistant Editor: Suzanne Gaffney
  • Editor: Bob Harras
  • Editor in Chief: Tom DeFalco
In space, a group of mutants in a hi-jacked space shuttle are desperately trying to find Mageneto's old base of operation, Asteroid M. They are just about caught by trailing military personnel, when Magneto makes his presence known.

Demanding only to be left alone, Magneto destroys their ships and is about to hurtle them all back towards Earth when one of the fleeing hijackers appeals to Magneto as a fellow mutant, as it's him they've come looking for.

Back on Earth, the fracas in space does not go unnoticed as both the Soviets and the Americans initiate their own plans to deal with Magneto once again.

The X-Men, meanwhile, are oblivious to what is going on out in space as they are in the midst of one of their ever-present training exercises. Professor Xavier has recently returned from Shi'ar space, and is back in a leadership position among his students. After being gone for so long, however, he looks to re-familiarize himself with their abilities and fighting styles.

What we get is eleven pages of the X-Men divided up into three different teams. Rogue and her group attack the mansion from outside and above, penetrating it's walls, only to fall within feet of the Professor at the mercy of Jean Gray and her psychic powers.

Wolverine and his group take a different tack and try to infiltrate the mansion from the tunnels below. Gambit falls first, as he takes the time to impress the ladies instead of delivering the killing blow. Wolverine proves that he's the real deal and manages to pop his claws mere inches from Professor X's nose...game over.

After the battle has ended, Wolverine and Cyclops have their usual pissing match that typified much of their relationship in this era.

It's not long, however, before they are summoned by Nick Fury and briefed on the recent happenings on Asteroid M. With the Russians and the Americans both on edge, Fury thinks it's best that the X-Men are notified. Cyclops agrees, while Wolverine thinks a man should be allowed to make a mistake first, before you condemn him.

Again with the disagreement...why don't you two get a room already.

Back on Asteroid M, Magneto has saved both the mutant hijackers and the American military that were chasing them, trying to stay neutral in their struggle. All he has done, however, is bring their conflict to his doorstep as one of the mutants is gunned down at his feet.

Using his magnetic powers, he forces the soldier's gun to point itself back at it's bearer and fire. Prodded and goaded on by Fabian Cortez, another of the mutant hijackers, he is once again brought into the struggle for mutant equality. These mutants, who have pledged themselves to his cause, will be his Acolytes.

Realizing that the Americans are unlikely to let this death go by unanswered, he decides to act pre-emptively in his own self defense. Returning to the scene of one of his own greatest tragedies, he raises a Soviet submarine that he was responsible for sinking earlier. He's not here to reminisce, however, as he uses his magnetic powers to salvage the remaining nuclear missiles that are still lodged within.

Unfortunately for him, the X-Men are here to talk him out of it. Its a pitched battle, but Magneto is able to withstand their assault long enough to gather his nuclear missiles and make good his escape.

Rogue is not willing to let Magneto go without hearing a piece of her mind, however, as she tries to draw on their recent time together to reason with him.

During her speech, the two of them have inadvertently flown over Russian airspace and the Russians have decided to take this chance to get their revenge on Magneto for the sinking of their submarine. Their fighter jets open fire, with Rogue caught in the crossfire. A further enraged Magneto reacts, with the closest weapon at his disposal...a nuclear weapon!

Before the rest of the X-Men can mourn Rogue for too long, Professor X sends a psychic communication that he has found her. She has ended up in a hospital on the island nation of Genosha? Now exactly how and why this happened remains a mystery (to me, at least), but it gives the X-Men a chance to go toe to toe against Magneto's Acoyltes because they all happen to be there as well, wreaking havoc on the city streets.

It's all a bit too much, and screams plotting by committee as everyone had to get their favorite location inserted into this issue. The X-Mansion...check. Asteroid M...check. Genosha...check.

It all comes to a head, as Magneto reappears to collect his wayward acolytes and pronounce that Asteroid M shall from this day forward be a sovereign nation for all mutantkind. Any act of violence perpetrated against a mutant, shall now be answered in kind.

SO, WHAT DID WE LEARN...

I think the biggest thing we've learned with this issue, is how much the economy of comics have changed in the previous two decades. Thirty-seven pages for a buck-fifty? That's crazy.

What's even crazier, is that all thirty-seven (and a two page centerfold also) are drawn by Jim Lee! I think that pretty much matches his output for the last three years?

As much as I enjoyed looking at all thirty-seven pages of this issue, it was probably twice as long as it needed to be. I mean, I love a good danger room sequence as much as the next fanboy, but a dozen pages worth? That's a bit much.

There's also an interesting kernel of a story in here, but it just gets buried by word balloon after word balloon. Claremont has never been the most terse of writers, but I don't ever remember it being this bad. Maybe it's the fact that Jim Lee co-plots starting with this issue, and it ended up cramping his style somewhat...who knows?

I liked the idea of Magneto being out-crazied by Fabian Cortez, and seeing him essentially being used by him, but it just takes us way to long to get there and did we really need to go to Genosha too? Say what you will about Claremont's meandering, years in the making, simmering plot lines, but they've always at least seemed like Claremont's heart was in it. This time...not so much.

It's too bad that this story ended up being Claremont and Lee's swan song as a team on the X-Men, as they were really put out high-quality work up until this point. Still, it didn't hurt the X-franchise any as they would go on to dominate the market for the better part of the rest of the decade.

All characters and artwork reproduced are (c) Marvel Comics

Monday, May 24, 2010

Aw Yeah, Art Baltazar...and the X-Men too!

It's time to pick another random book to review, but before we do that I have to relate an experience that I had at the recent Motor City Comic-Con that makes being a comics fan a lot of fun.

I'm not sure how many of you are familiar with Detroit's twice-yearly comic book convention, but it's the area's largest show. It's not Chicago or New York level big, and it's a far cry from 15 years ago when I was waiting in line to get Neil Gaiman's signature on my Season of Mists leatherbound hardback, or having to walk single file through the aisles trying to avoid to the snaking lines to get Todd McFarlane or Rob Leifeld's autograph (or was that line for the Spawn-mobile...I'm not sure).

Anyway, this con has long since seen it's glory days, but they still manage to pull in a respectable list of attendees and events. At the very least, it's an opportunity for my son to get his picture taken with whatever assorted Star Wars characters happen to walk by.

One of the creators who usually shows up is Art Baltazar of Tiny Titans. My four year old son is a fan, and can name all of the characters, so we always stop by to pick up a few books and let Art now how much he enjoys the book. This year, Art Baltazar went above and beyond and worked up a sketch in marker and crayon of my son dressed as Superman!



Aw Yeah, Art Baltazar! You're the best, and you really made my son's day, not to mention making this a con to remember.

So that's one of the things that make being a comic book fan so much fun, but how about another thing? Gee, I don't know, something like picking another completely random book to review. Take it away Randomizer...

...and that book is X-Men (Vol. 2) #1 from October 1991, published by Marvel Comics!

Well it had to happen sooner or later, as the odds were in this issues favor. I was a bit of a naive comic book collector in the early 90's, so when the speculator boom was in full steam barreling down the tracks, I was was right there pulling the steam whistle. I believe this title holds the record as the most copies of a single book that I own.

It came with five different covers and I bought two of each one. So yeah, that's ten issues of a book that I only ever read once. Now, however, I get to double the enjoyment from my initial investment as the randomizer has picked this book for me to read and review next.

Besides, when my son gets ready for college these ten issues are going to pay his way into a master's degree, right? Hello? Anyone?

Well, at the very least he'll have this blog post to read while he's standing in the financial aid lines at the administration office. See you in a day or two for the review.

Saturday, May 22, 2010

Saturday Synchronicity #5

If it's Saturday, and you're reading a new post around these parts, it must be another installment of Saturday Synchronicity.

Join me as we pay homage to this week's comics, by looking at whatever vague and tangential connection we can make with issues we've previously reviewed here at the Random Longbox.

  • So I'm sure everyone but me read The Avengers #1 this week. If you're still craving more of Earth's Mightiest Heroes, you can click over here to see John Romita Jr.'s previous take on them from the prior volume.

    Furthermore, if you read Age of Heroes #1 featuring the return of Kurt Busiek to the Marvel Universe, that same issue of The Avengers will get you a nice Busiek fix too!


  • Brightest Day #2 put the spotlight on Firestom, as Ronnie Raymond tries to take the mantle of douchiest superhero away from Tony Stark. Click over here to reminisce when Ronnie wasn't quite so nasty in his rebelliousness.


  • Finally, if you enjoyed the latest work from the "not heard from enough, in my opinion" Len Wein, then click here to read a classic Superman tale from thirtynine years ago that shows that the man has been consistent decade in, and decade out.
See you next week, for more random comic book shenanigans!

Friday, May 21, 2010

The Ultimates #1


TITLE: The Ultimates #1

PUBLISHER: Marvel

COVER DATE: March 2002

COVER PRICE: $2.25

26 pages


WHAT I REMEMBER...

I remember being so excited for this title when it was solicited. Ultimate Spider-Man was one of the best books on the stand, and I had high hopes for this title carrying the imprint forward. The fact that it featured two creators who blew things up really good over on The Authority didn't hurt either.

And when the issue came out, it sure as hell delivered. If only they could have kept the production on this series on pace...but that's a blog post for another day.

I haven't read this book since it was out originally, so I'm curious to see how it holds up compared to all of the work that Mark Millar and Bryan Hitch have done in the interim. Let's find out...

The Ultimates
  • Story: Mark Millar
  • Pencils: Bryan Hitch
  • Inks: Andrew Currie
  • Letterer: Chris Eliopoulos
  • Colors: Paul Mounts w/Bongotone
  • Editor: Ralph Macchio
  • Associate Editor: Brian Smith
  • Editor in chief: Joe Quesada
  • President & Inspiration: Bill Jemas
Wow, Bill Jemas credited with "inspiration"...Marvel really was a different company back then.

Back to the actual book, and it's time to break the fourth wall a little bit. Usually when I do these reviews, I'll hold off reading the book until I sit down to review it and I write it as I read the book cold. This time was different. I was hooked from the first panel and didn't put the issue down until I had read it all the way through, leaving the keyboard untouched.

I honestly didn't remember that this issue was this good. Mark Millar wrote a story that was perfectly paced, action packed, heartfelt, and reverential to what has come before (both in respect to WWII and The Avengers). I know, I know...this is Mark "Kick-Ass" Millar we're talking about, but this is about as perfect a first issue that you could ask for with which to retell the Avengers story.

This issue is almost exclusively told in a World War II flashback, where Captain America is leading a crew of soldiers on a nighttime raid into Iceland. It's there that the Nazi's have succeeded in building a hydrogen bomb, currently aimed at Washington D.C.

Millar would later go on to expand the character of Captain America as some right-wing wet dream, although this was the pre-"tea bag" right-wing that was still somewhat sane. As the issue starts, however, Cap is mostly seen only in the background, leaving his fellow soldier and partner, Bucky, to bring us up to speed as he talks with the other soldiers. Bucky seems to revel in the fact that he's partnered with a living legend, ribbing and teasing his fellow soldiers, while building up the mystique of Captain America.

The good thing for Bucky, however, is that you can actually count on Captain America to not only live up to his reputation, but to exceed it as well. While the grunts are caught in a massive gun battle after parachuting onto the armored launch pad, Cap eschews a parachute in favor of driving the bomber plane right through the front door.

This brings me to one of my favorite Captain America images of all time.

Its halfway through the issue, and its the first time we see Captain America out of the background. It's a beautiful image, and Bryan Hitch has managed to re-design Cap's costume as some sort of fatigues fueled, spandex bastard child. It's so beautiful in it's simplicity, that I'm surprised no one had ever thought of it before. In all the annals of costume redesigns, this gets the gold medal from me.

While we're on the subject of Bryan Hitch, I have to say that this issue completely wowed me. I remember really liking his stuff in the past, but after his run on Fantastic Four and Captain America: Reborn, I was honestly asking myself what the big deal about Hitch was. The work that he's produced over the last couple of years is such a pale comparison of what we see here, that it's almost depressing. This is the man who helped launch "wide-screen" comics, and here he is at the top of his game.

So anyone familiar with the legend of Captain America probably knows where this issue is headed. The soldiers breach the launch pad, but it's too late as the ignition sequence has begun and the prototype hydrogen bomb begins it's journey to D.C. Now this is Captain America that we're dealing with, and he's not about to let that happen so he jumps through the exhaust plume and grabs a hold of the rocket as it takes to the sky.

Knowing he's on a one way ride, his only choice is to blow up the guidance system with a grenade, which takes care of the rocket, but unfortunately blasts Cap into the frigid seas below to be frozen alive for his eventual rendezvous in the current day. As he sinks into the ever darkening depths, Millar pulls out the "If you're reading this that means I'm dead" letter, written to Cap's fiance. It runs the danger of coming off as a hackneyed trope, but it works here as Millar keeps it short and sweet, and it's the perfect balance to the machine of a soldier we bore witness to in the previous pages.

With a hint of what's to come , the issues wraps up back in the present day with the briefest of looks at Ultimate Tony Stark, as he begins his role in the birth of the Ultimates.

SO, WHAT DID WE LEARN...

It should be obvious at this point in the review as to what we've learned. Mainly that Millar and Hitch were, at one time, deserving of all the hype and hyperbole thrown their way. All right, that maybe a little harsh, but I personally have not really enjoyed much by these two creators post-Ultimates.

I'd like to think the remaining twenty-five issues are waiting to be rediscovered as masterpieces of their genre as well, but I think I'm going to hold off finding out and just savor this moment for a while. After all, it's not often these days that I can get jazzed about the Avengers, and I don't need any more doses of cruel reality harshing my buzz.

All characters and artwork reproduced are (c) Marvel Comics
...and of course, inspired by Bill Jemas!